Head study of Saint Peter · fresco on intonaco
Christ Pantocrator · Collegiata di San Lorenzo, Santa Croce sull'Arno
Church interior · fresco by Maestro Callossi
Resurrection and Deposition of Christ · Annigoni, Church of San Michele Arcangelo, Ponte Buggianese
Portrait study · profile, fresco technique
Drapery study · traditional technique
Mineral pigments and natural materials of the bottega
Tools of the trade · natural brushes and mineral pigments
Mural painting session · Florence Academy of Affresco
The bottega tradition · hands-on learning
Florence Academy of Affresco · in the studio
Fresco · Montecassino
Fresco · Montecassino (detail)
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Sala San Bonaventura · former reliquary hall, Assisi
Santa Liberata · fresco
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Santa Liberata · Pope Francis (detail)
Santa Maria · fresco
Fresco · Fucecchio
Landscape · fresco
The Last Supper · fresco
The Last Supper · detail
Opening day · June 2026
Working on the first cartoni
The class at work
The hand and the brush
Head study after Michelangelo
The wall of studies
Preparing the intonaco
Student hands on the cartone
Sinopia and fresco on embrice · side by side
At the worktable
Easels and sinopie
The row of easels
Opening day in the studio
Hands at work
Studies after Michelangelo
Studies on the easel
Drawing the study
Working at the easels
Smoothing the intonaco
At the drawing board
The brush on the sinopia
Focus at the easel
Copying the masters
The easel at day's end
The window on Florence
The texture of the arriccio
Mineral pigments
Sinopie in the studio
Sinopie on the wall
The great sinopia
Easel with study
Brushes and tools
Opening day at the palazzo
Gathering in the studio
Colour studies
Painting in the studio
The materials table
Easels and studies
Study in profile
Brushwork on the study
Detail of a profile
Head of an old man, study
Veiled head study
Study in sanguine
The studio filled with studies
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